Emmanuelle Roberties
















création artistique
Bleu Prairie

création littéraire
Master Université Paris VIII

architecture
Atelier d’architecture revers












Observer nos conditions paysagères.

Voilà le travail engagé par Emmanuelle Roberties dans ses créations architecturales, littéraires et artistiques, depuis une dizaine d’années. Elle est née dans le sud-ouest de la France, a grandi à la campagne et conserve de cette vie son attachement aux paysages, aux formes hybrides des territoires ruraux.  

Un regard sur l’environnement se déploie, qui court le long des lignes et se heurte aux amas d’ombres, retenus là sous nos yeux, par les aspérités de la matière, vivante ou inerte.  












Pour me joindre

architecture
contact@reversarchitecte.com


création artistique et littéraire
emmanuelle.roberties@gmail.com

4. Loren Eiseley





LE / 1957
From The Immense Journey

            A billion years have gone into the making of that eye; the water and the salt and the vapors of the sun have built it; things that squirmed in the tide silts have devised it. Light-year beyond light-year, deep beyond deep, the mind may rove by means of it, hanging above the bottomless and surveying impartially the state of matter in the white-dwarf suns.




Yet whenever I see a frog’s eye low in the water warily ogling the shoreward landscape, I always think inconsequentially of those twiddling mechanical eyes that mankind manipulates nightly from a thousand observatories. Someday, with a telescopic lens an acre in extent, we are going to see something not to out liking, some looming shape outside there across the great pond of space.
            Whenever I catch a frog’s eye I am aware of this, but I do not find it depressing. I stand quite still and try hard not to move or lift a hand since it would only frighten him. And standing thus it finally comes to me that this is the most enormous extension of vision of which life is capable: the projection of itself into other lives. This is the lonely magnificent power of humanity. It is, far more than any spatial adventure, the supreme epitome of the reaching out.
Mark